PLOTTING!


Ideas: how to get ‘em, and what to do with them.

Finish this course with dozens of saleable story ideas, plus methods and tips for producing a thousand more. You will never need to worry about what to write for the rest of your writing career.

Course Outline

  • Why plot at all?
  • "Discovering" the plot through writing
  • Ideas!
    • Ideas are not plots
    • Idea sources
  • Collecting ideas
    • Notebooks
    • Hanging files
    • Electronic versions
    • Cards
    • Cataloguing and indexing
    • The advantages of organisation
  • Accessing ideas
  • Recognising a good idea
    • Resonance
    • Marketability
    • When the ideas come while writing something else.
  • Turning an idea into a plot
  • What makes a good plot?
  • Deconstructing existing plots -- "Plotting research"
  • Story structure
    • Non-fiction structure
    • Fiction structure
    • How it relates to plot
    • Recognising structure
  • Recognising "bad" plots
  • Plot clichés
  • Personal clichés
  • "Hack" writing vs. writing to formula
  • Plotting to market demands
    • Science fiction
    • Romance
    • Detective/whodunit
    • Screenplays
    • Other categories
  • Market research
  • Plot and character
  • Avoiding clichés
  • Ideas for Characters
  • Collecting characters
  • Plot out of character
  • Character out of plot
  • Settings
    • Ideas for settings
    • Collecting settings
  • Selecting the best idea
  • Subplots
    • Elements of a good subplot
    • Weaving it into the main plot
  • When to stop plotting and start writing
  • Outlining, Treatments
  • Synopsis Writing
  • Plagiarism, Copyright and other nasties
  • Commercial "Plotting" programs, devices


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